An extraordinary workshop of ‘gold’,
specialized in luxury decoration.

Morning awakening under the sparkling sun of Paris. Fabrice Juan gave us an appointment in a workshop that was dazzling in the literal sense of the word. Here, the gold leaves are agitated and twirling for our greatest pleasure. We are in the prestigious Gohard Workshops. A historic house, located in one of the oldest districts of Paris, the 11th arrondissement.

For more than 50 years, the craftsmen of this extraordinary workshop have been making exceptional pieces for the greatest decorators, luxury houses and historical monuments such as the Statue of Liberty, la Concorde and even the Dome of Invalides.

Dazzling works.

Fabrice Juan beckons us to join him with Franck Debets - one of the conductors of this institution. In front of us, fifteen craftsmen work passionately on demanding pieces. Our eye is quickly distracted. In one of the corners of the workshop, a monumental sculpture awaits the International Contemporary Art Fair (FIAC) with impatience. Opposite, huge panels adorned with silver leaf are as mirrors of the workshop. Franck Debets, delighted with our bedazzlement, indicates Fabrice Juan with his eyes. In his hands, a cold metallic plate whose motifs, might suggest to the neophyte, that of marquetry. The finish is stunning. The effect is striking.

The art of gilding... but not only.

Gohard workshops are also true material creators. Visionaries who explore the infinite richness of the patinas, textures, paintings.

Concentrated, Fabrice Juan examines and selects samples of materials to create the metalwork of a beautiful apartment. He comments: "The finish must be flawless. The handles are one of the elements we touch the most in an apartment. They exude a certain form of sensuality. I will not go so far as to speak of spirituality, but the finesse of the grain, the warmth of a material, the care taken to polish, the precision of a patina, contribute unmindfully to the emotion."

Franck, who has by now moved aside, lingers in front of a large sheet with sumptuous oriental motifs. The ensemble, cracked with care, reminds us of this mythical scene of "Once Upon a Time in America" during which De Niro lies down in a smoky opium salon. Fabrice Juan comments: "Materials keep in mind the traces of who we are deep within us."

Well-guarded manufacturing secrets.

Through the large glass, emblazoned with a golden letter ‘G’, a man with silver hair dexterously applies Palladium leaf to a panel pre-coated with a secretly kept concoction.

The hanging is precise, delicate, flawless, without gaps ... the atmosphere is studious. We are surprised to speak in a low voice. The artist, agile, is the guardian of an ancestral technique. The wide brush glides over his cheek... looks for a sheet and then positions it, unsurprisingly, to perfection, to slightly cover the previous one respecting the technique of the checkerboard laying.

Fabrice Juan tells us about his meeting with Baptiste Gohard and Franck Debets eight years ago. A first collaboration that began in an apartment adjoining the Trocadero. Marmorino, parchment, decorative paint, cold metallization, large pastel blue doors adorned with plaques and stands in chiseled bronze... it didn't take much to create unbreakable bonds.

Christelle, joins us in the workshop. She comes to ensure the frame from the Élysée is in good hands. Armed with a reparer, two experts chisel and recover the lost motifs.

We catch them in the middle of a discussion, before a large medallion. "It would go wonderfully in the precious apartment I'm renovating right now." Seriousness gives way to a bit of fantasy. Fabrice poses and, like a romantic hero, imagines himself captured by the grace of Eugène Delacroix's brush.

An international presence

The Gohard Workshops are also located in New-York. They thus contribute to the international influence of our craftsmanship and defend the values of the French way of life, so dear to Fabrice Juan.

We hope in silence that our next stopover will take us overseas to discover other beautiful addresses. While waiting for this possible invitation, Fabrice Juan has for our greatest pleasure and for the second time achieved his goal: to dazzle us.


Manufacturer of works of art, reproductive of excellence.

For this first meeting dedicated to the artisans of art, Fabrice Juan invites us to a workshop that he particularly appreciates.
Atelier Prométhée is a manufacturer of artistic objects from which he likes to rejuvenate and draw inspiration. We are still in the courtyard and yet the delicate smell of fresh plaster awakens in us forgotten memories. From the outside, it is impossible to imagine the treasures that lie within. Fabrice's drive and determination reminds us that we did not come here by chance.

Once the door is pushed, we discover busts, vases, statues and a multitude of sculptures.

We have just entered a place as astonishing, as discreet and as surprising as is visible on our faces. After crossing this space flooded with light, we get acquainted with Benoit Ruffenach. One of the two partners of Atelier Prométhée.

Atelier Prométhée was, in its infancy, a specialist in terracotta from the 17th, 18th and 19th centuries.

But soon enough, the manufacturer enriched its offering with real know-how in reproduction of works of art. Today, it collaborates, among others, with the gardens of the Château de Versailles, the Musée Rodin and the Musée Bourdelle. It dresses the largest luxury boutiques and makes custom orders for the greatest international decorators.

Fabrice Juan has been maintaining for several years, a very nice relationship of complicity with the Atelier Prométhée in which he appreciates the seriousness, the demand and the technical control that is undeniable.

The tour begins.

Next, we move to a Francis Pompom bear covered, for the occasion, in a thick layer of silicon material. He reigns across these workshops with much calm, serenity and kindness.

The artisans we cross, despite their concentration, all take the time to talk to us about their work. Within seconds, we understand, why Fabrice Juan feels so good in this environment. From a table, he takes a sample, the profile of which is chained with sinuous and geometric curves. The shape holds all his attention. He looks it carefully... examines it in the light, then rotates it several times. A question ensues. The craftsman, after having given himself a short period of reflection answers him with confidence. Fabrice Juan leaves, visibly rejoiced, by the answer obtained.

On this floor we discover, laid on the floor, the print molds. How could we have imagined that it would take so much to cast this flamboyant rider on his steed.

A little farther along, dozens of busts aligned, are preparing to join the rooms of a large hotel. Fabrice is amused with the good humour that characterizes him.

We are in a temple of wonders.

Surrounded by giant vases, Doric columns, hand-painted glazed tiles, cherubs, and ornamental medallions... sometimes surreal. Like that, hanging on the wall, a pair of glasses for amusement. A little further, two greyhounds, at rest, hold the attention of Fabrice. The discussion re-engages with a craftsman and Benoit who joined us for the occasion. There is a good chance that one day these two sculptures will be incorporated in the ceremonial entrance of a particular hotel.

Our visit ends, alas too quickly, alongside the fawn with the kid, as seductive as it is slender.
The craftsman who takes care of it, stalks the slightest imperfection. This work should join the gardens of the most famous castles of tomorrow.

Whilst finishing up our business, but a question is tapping us. What did Fabrice have in mind when he held his raw material sample in his hand? The answer is not waiting: "A trumeau fireplace." We will not know much more, if only a happy owner should take advantage of it soon in one of his current projects.

Until our next invitation, we thank the Atelier Prométhée for their warm welcome.